There’s Cassandra, who hopes to become an IRS accountant and just wants everyone to get along; Sunny, who used to train assassins but now just wishes for a little furball with fangs; and their hostess, Allegra, who craves revenge for her being mortal.
Life magazine's coverage of the Watts riots in 1965 has a lesson for the Treyvon ...
I’ve been thinking about Bob Trotman, a sophisticated, self-taught artist whom I met this year. ...
I’ve been working on a story about prisons. As I investigate the history of crime ...
At this summer’s 13th annual 10×10 Festival of New Short Plays at the Carrboro Arts Center, I was struck by two things: how good acting and directing can rescue a mediocre script; and how lots of contemporary plays try to be postmodern by being self-referential. Oh look, there’s a playwright onstage trying to crank out […]
I heard a sad story today about a teen who bagged a pileated woodpecker with his varmint rifle. No one knew what it was — “Ain’t seen one before, ain’t seen one since” — but his family praised his marksmanship, and the lad cut off the feet to carry as a trophy or talisman. The […]
Beginning rehearsals of my short play Rainbow Round the Moon has led me to doff Playwright’s Mind for Director’s Mind. I like having to slow down, explicitly consider the beats, and articulate subtext. Whether or not it will affect how I write in future, the process stimulates me to deeper thought in the present: for […]
All those of you who, like me, are working on vampire plays may appreciate a short list of the books I’ve found useful among many that were not: Despite its garish cover, Rosemary Ellen Guiley’s Encyclopaedia of Vampires, Werewolves, and Other Monsters (Visionary Living, 2005) has a beautiful six-page bibliography and is written in matter-of-fact […]
At the Taft Museum I came across a Claude Lorrain oil (on loan from the Wadsworth Athaneum) ostensibly about St. George and the dragon. But history, here, is a vehicle for landscape: the dragon ain’t no thang. Which got me to thinking about all the feedback I’m getting about how my play The Whistler could […]
I took a few hours off from The Whistler to see the Cincinnati Shakespeare Company‘s Merchant of Venice yesterday, having heard about it from Billy Chace, the actor who’s playing Bassanio (encountered, it must be said, in the Blue Wisp Jazz Club). The show, which runs through June 3rd in the Over-the-Rhine neighborhood, was one […]