Archive | Music

From poem to lyric?

Not every poem can be easily or beautifully set to music. A few years ago I read Auden’s Christmas Oratorio with great excitement, but it’s not hard to see why Benjamin Britten reneged on his promise to write music for it: I’m pretty sure it would have been longer than The Ring Cycle!

Today I met with a composer friend to kick around my ideas for a song cycle. He had good questions and useful comments, and I’m hopeful that we can continue our discussion even before Orange County announces grant recipients in September. Several of the poems he liked had imagery about or references to music–which perhaps I should have predicted! Thinking about other song cycles I know, I’m estimating about 3 minutes per song.

I think we have a healthy passel of material on love (and its opposite), nature (a la Bryant), family, and grief. Not necessarily in that order.

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Reinventing myself (again)

I dislike AI but one has choice
I dislike AI but one has no choice.

Deerslayer in real life

The actress who plays Deerslayer, the talking rifle in The Whistler, happens to be Juilliard-trained cellist and composer Gerri Sutyak, who wrote and performed the score for the short film below.  Her musical talent will figure prominently in my play as well.

The film Carl & Jim, by 12-year old scriptwriter Michael Wolfe. Check out the score.

And she can whistle loodles.

You can watch a clip of Gerri as Deerslayer in my pitch video.

The Whistler goes live!



Here’s the latest and best take on The Whistler yet, as we reveal more secrets about the play and ratchet up interest in attending and contributing.  I’m proud of having edited this video on my USA Artists page, but the acting and moviemaking talent are what make it work.  By the way, donations through USA Artists are tax deductible and we have cool premiums.

The Tree of Life

To enjoy a tale of Eternity in the context of time, you have to let go of your attachment to narrative.  Much of the heavily advertised new movie The Tree of Life struck me as a fun romp through a new age of computer graphics, something like the abstract expressionism of Fantasia on steroids.

from Walt Disney's 1940 "Fantasia"

Paul Dukas' music for this story from Fantasia was based on Goethe's 1797 poem Der Zauberlehrling. This is NOT abstract expressionism.


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